A Place Further then the Universe Review

Kimari yearns to accomplish something big in her high school years. When she runs into Shirase, a girl dedicated to making it to Antarctica, the last place her mother was before her death, she may have gotten into something bigger than she expected or can handle.

One character dies off screen. We never see anything violent in nature, but very young viewers might get scared during some of the flashbacks. It’s a serious concept that never leaves the show and is brought up more than once.

Sh-t and d-mn are the worst this show gets, though it keeps to the lighter side.

Considering the all female cast, I would have expected the usual unnecessary fanservice, but we are spared any of that, which is awesome.

Aside from a few scenes showing an alter where Shirase’s mother’s photo is, religion really doesn’t come into play here.

Personal impression:
I came back from my hiatus for this show. Because it’s amazing. Really, really amazing and I did NOT see that coming considering what a train wreck the story summery is on Crunchyroll. But here we are, with me pretty much all set to call this show anime of the year for 2018. It might be a bit early, but every other show this year is going to have to work insanely hard to beat this title.
But enough of that. What exactly made this show great? First and foremost is the script. The dialog alone let me know in episode one that this show had some serious promise. It wasn’t stiff or contrived, but conversations flowed in a logical manor. It was dialog that made sense and felt natural at all times, a hard find in anime these days. Then the plot. It was character based, focused on character’s individual motivations for going to Antarctica first rather then just getting there to get there. And their motivations made sense. Again, no forced reasons. Each character comes to their conclusions in a surprisingly reasonable manor and not only are those reasons easy to follow, but they are also easy to sympathize with. Show-don’t-tell is used frequently as well, which means even if a character doesn’t spell something out, you can often read both their personality and motives clearly int heir actions and expressions.
Which brings me to the cinematography, which is breathtaking. From camera angles to how scenes are cut and edited, this show really out does itself. The paring with the soundtrack is nearly seamless as well, punching you in the feels over and over.
And last, but never least: this story has a conclusion. The lead characters grow to where they want and need to be, even if what they needed wasn’t something they thought they wanted at first. It’s an incredibly fulfilling end to such an emotional show and it leaves you with a bright feeling of triumph as well.
There are cons though. Primarily in the strength itself. This show will make you cry. A lot. If you aren’t ready for your heart to be destroyed over and over, this isn’t for you. Granted, it’s a good cry. A healing one. Not sad things for the sake of being sad. Stuff moves forward, characters grow. Still, it’s an emotional roller coaster so it’s something you need to be in the mood for.
In conclusion: this show is one of the best I’ve seen in a very long time and is defiantly the show to beat this year. I look forward to seeing some shows make the attempt. At the very least, I hope more directors learn from how this show used movement and angles to add to the story and solidify it as real, despite the extreme journey the girls were taking on. Because while I love how out-of-the-box anime often is, having a world and characters that feel real goes a long way towards pushing a show from good to great. And when you have a character driven story to boot? It’s pretty much a recipe for perfection.

Personal rating: 10+

Episodes: 13
Languages: sub
Official rating: TV14
Genre: Adventure, drama, literary fiction
Studio: Madhouse
Company: Kadokawa Pictures
Official streaming: crunchyroll